{"id":156,"date":"2023-08-07T13:12:19","date_gmt":"2023-08-07T13:12:19","guid":{"rendered":"http:\/\/eryamansanat.com\/?p=156"},"modified":"2023-08-13T08:16:35","modified_gmt":"2023-08-13T08:16:35","slug":"escher-yanilsama-ve-paradoks","status":"publish","type":"post","link":"https:\/\/eryamansanat.com\/?p=156","title":{"rendered":"Escher | Yan\u0131lsama ve Paradoks"},"content":{"rendered":"<p><strong>D\u00fcnyan\u0131n g\u00fczellikleri aras\u0131na dal\u0131p, d\u00fc\u015flerini derinlerde b\u0131rakmaman m\u00fcmk\u00fcn de\u011fil. Detaylarda kaybolmaktan keyif alanlar i\u00e7in, Escher\u2019den bahsedece\u011fiz.<\/strong><\/p>\n<p><strong>Maurits Cornellis Escher<\/strong> (1898-1972) d\u00fcnyan\u0131n en \u00fcnl\u00fc grafik sanat\u00e7\u0131lar\u0131ndan biri. Kendisi Hollanda do\u011fumlu. Mimar olmak isteyen Escher, \u00f6\u011fretmeninin y\u00f6nlendirmesiyle \u00e7izim ve bask\u0131 esime y\u00f6neliyor.<\/p>\n<p>Hollanda\u2019n\u0131n Lahey kentinde etkileyici bir Escher m\u00fczesi (Escher In Het Paleis \u2013 Escher In The Palace) var ve gitti\u011finizde g\u00f6rd\u00fcklerinize inanamayacaks\u0131n\u0131z.<\/p>\n<p>Escher\u2019in eserlerinde \u00fc\u00e7 boyutlu yan\u0131lsamalar ve paradokslar g\u00f6receksiniz. Alg\u0131m\u0131z\u0131n zamanla \u00f6\u011frendi\u011fi \u00fc\u00e7 boyut ve mek\u00e2nsal derinlik kavramlar\u0131, iki boyutlu eserlerde kullan\u0131lan renk, boyut, ton ve perspektif gibi tasar\u0131m \u00f6\u011feleriyle izleyiciye sunulmaktad\u0131r.<\/p>\n<p>Paradokslar ise bilinen durumlarla \u00e7eli\u015fen kan\u0131, duygu ve d\u00fc\u015f\u00fcncelerdir.<\/p>\n<h2>Escher\u2019in \u00dcnl\u00fc Eserleri<\/h2>\n<p>Escher\u2019in en \u00f6nemli eserlerinden biri her biri di\u011ferinin kolunu \u00e7izen iki elden olu\u015fan <strong>\u201c\u00c7izen Eller\u201d<\/strong> yani <strong>\u201cDrawing Hands\u201d<\/strong> bir litografi.<\/p>\n<p>Eserin tarih\u00e7esi 1948\u2019li y\u0131lllara dayan\u0131yor ve s\u00fcrrealist tarzda. Escher yap\u0131t\u0131nda model olarak sa\u011f elini kullan\u0131yor ve yap\u0131tta eller \u00fc\u00e7 boyutlu, kollarsa d\u00fcz i\u015flenmi\u015f halde g\u00f6zlemlenebiliyor. Eserde Garip D\u00f6ng\u00fcler kavram\u0131, ba\u015fka bir deyi\u015fle  sonu olmayan bir s\u00fcrecin sonlu bi\u00e7imde kullan\u0131m\u0131 uygulanm\u0131\u015ft\u0131r.<\/p>\n<p>Bir di\u011fer eseri yine bir litograf olan \u201cHand with Reflecting Sphere\u201d (T\u00fcrk\u00e7e kar\u015f\u0131l\u0131\u011f\u0131 Yans\u0131tan K\u00fcre ile El) 1935\u2019te yap\u0131lm\u0131\u015f.<\/p>\n<p>Resimde Escher\u2019in sol elinde k\u00fcre \u015feklinde bir ayna tasvir ediliyor. Bask\u0131n\u0131n orijinal \u00e7izimin tersi oldu\u011fu d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcndeyse, resimdeki tasvir Escher\u2019in sa\u011f eli. Aynaya ise t\u00fcm oda s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f, sanat\u00e7\u0131 ise aynan\u0131n merkezinde g\u00f6r\u00fclmekte.<\/p>\n<p>Sanat\u00e7\u0131n\u0131n eserlerinde kullan\u0131lan ill\u00fczyonlar ve g\u00f6rsel yans\u0131malar on be\u015finci y\u00fczy\u0131l Kuzey Avrupa sanat geleneklerinden ileri geliyor. Eserlerde mek\u00e2nsal ve yap\u0131sal dualiteler g\u00f6zlemlenebiliyor.<\/p>\n<p>Escher\u2019in 1936 y\u0131l\u0131ndaki \u0130spanya ziyaretinde, Granada yak\u0131nlar\u0131ndaki Alhambra\u2019da inceledi\u011fi s\u00fcsl\u00fc \u00e7ini tasar\u0131mlar\u0131 ve \u00e7izdi\u011fi eskizler sonras\u0131nda 1958 y\u0131l\u0131nda \u201cRegular Division of a Plane\u201d yani \u201cD\u00fczlemin D\u00fczenli B\u00f6l\u00fcnmesi\u201d isimli kitab\u0131n\u0131 yay\u0131nlad\u0131.<\/p>\n<p>D\u00fczlemin d\u00fczenli b\u00f6l\u00fcnmesi tekni\u011fi grafik ile dairesel olarak tekrarlanan \u015fekillerin b\u00f6l\u00fcnmesine kar\u015f\u0131l\u0131k gelmektedir.  Bu teknikle \u00e7al\u0131\u015ft\u0131\u011f\u0131 resimlerde Escher bo\u015fluksuz ve birbirinin \u00fczerine gelmeyen fig\u00fcrler kullanm\u0131\u015ft\u0131r. Teknikle yap\u0131lm\u0131\u015f en \u00fcnl\u00fc tasar\u0131mlar\u0131ndan biri ta\u015f bask\u0131 olan \u201cReptiles\u201d\u2019d\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00fcnyan\u0131n g\u00fczellikleri aras\u0131na dal\u0131p, d\u00fc\u015flerini derinlerde b\u0131rakmaman m\u00fcmk\u00fcn de\u011fil. Detaylarda kaybolmaktan keyif alanlar i\u00e7in, Escher\u2019den bahsedece\u011fiz. Maurits Cornellis Escher (1898-1972) d\u00fcnyan\u0131n en \u00fcnl\u00fc grafik sanat\u00e7\u0131lar\u0131ndan biri. Kendisi Hollanda do\u011fumlu. Mimar olmak isteyen Escher, \u00f6\u011fretmeninin y\u00f6nlendirmesiyle \u00e7izim ve bask\u0131 esime y\u00f6neliyor. Hollanda\u2019n\u0131n Lahey kentinde etkileyici bir Escher m\u00fczesi (Escher In Het Paleis \u2013 Escher In The Palace) var ve gitti\u011finizde g\u00f6rd\u00fcklerinize inanamayacaks\u0131n\u0131z. Escher\u2019in eserlerinde \u00fc\u00e7 boyutlu yan\u0131lsamalar ve paradokslar g\u00f6receksiniz. Alg\u0131m\u0131z\u0131n zamanla \u00f6\u011frendi\u011fi \u00fc\u00e7 boyut ve mek\u00e2nsal derinlik kavramlar\u0131, iki boyutlu eserlerde kullan\u0131lan renk,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":1274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-156","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-genel","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/posts\/156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=156"}],"version-history":[{"count":2,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/posts\/156\/revisions"}],"predecessor-version":[{"id":1275,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/posts\/156\/revisions\/1275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=\/wp\/v2\/media\/1274"}],"wp:attachment":[{"href":"https:\/\/eryamansanat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eryamansanat.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}